The opening, shot in stop-motion, conveys the raw immediacy of individual perspectives.
This opening sequence was created for an NHK program whose theme, Ego Document, seeks to see war through the eyes of its participants.
To embody this idea, I used photographs of the individuals featured and built camerawork that links their gazes, guiding viewers from one set of eyes to another.
To heighten the immediacy of war, the sequence was shot in stop-motion, gradually moving closer into each photograph. The camera eventually shifts to a macro lens, enlarging the images until even the halftone dots of the print reveal the texture of history itself.